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(line 26), 'O my dear father!' Hence the tone of the first part of the scene, that between Cordelia and Kent, is kept low, in Online Personals Internet Dating Australia Free Online that the latter part, between Cordelia and Lear, may have its full effect. The modern stage-direction at the beginning of the scene, as found, for example, Online Personals Internet Dating Australia Free Online the Cambridge and Globe editions, is as follows: 'SCENE vii.--A tent in the French camp. LEAR Online Personals Internet Dating Australia Free Online on a bed asleep, soft music playing; _Gentleman_, and others attending. Enter CORDELIA, KENT, and Online Personals Internet Dating Australia Free Online line 25, where the Doctor says 'Please you, draw near,' Cordelia is supposed to approach the bed, which is imagined by some editors visible throughout Online Personals Internet Dating Australia Free Online the back of the stage, by others as behind a curtain at the back, this curtain being drawn open at line 25. Now, to pass Online Personals Internet Dating Australia Free Online the fact that these arrangements are in flat contradiction with the stage-directions of the Quartos and the Folio, consider their effect upon the scene. In Online Personals Internet Dating Australia Free Online first place, the reader at once assumes that Cordelia has alre